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Choice Prize shows Irish music industry in rude good health

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Date Published: {J}

There’s nothing like an awards show to get people talking. Since its foundation in 2005, the Choice Music Prize has become a focal point for the Irish music industry.

This year’s Meteor Choice Music Prize took place in the Olympia on Thursday last. All ten acts who were nominated for album of the year were slated to perform, and the event was compered by Today FM’s Paul McLoone. As techies scurried busily on the stage, he introduced the opening act.

Tieranniesaur are a seven-piece Dublin based outfit that play a kind of indie/dance fusion that will be familiar to fans of LCD Soundsystem. Their bass player was entertainingly loose-limbed but, overall, the performance lacked punch. However, this is a young band who are still finding their feet, and the nomination for their self-titled debut is impressive in itself.

Next up were We Cut Corners, an act that McLoone said made “other bands look overstaffed”. And it’s true – there are only two of them! Lead singer Conall Ó Breacháin stood stage centre and unleashed an impressive voice, while John Duignan backed him on electric guitar. It was a canny move, and Ó Breacháin drew the crowd in. For the next song, he sat behind the drum kit and let loose – while singing. Duignan matched him for noise and when the songs ended the crowd are whooping. If the prize were based on live performance, these guys would have to be a shoe-in.

The Japanese Popstars are an electronic trio from Derry. The banks of equipment that were wheeled on stage pointed to the diversity the Choice Prize aims to celebrate – music made on computers is as valid as that made on a guitar. Two tracks were played from Controlling Your Allegiance and while it was hard for dance music to connect with a largely seated audience, you could imagine The Japanese Popstars going down a bomb in a tent at the Electric Picnic.

Up next were Cashier No. 9, a Belfast based six-piece who were among the favourites to scoop this year’s prize. To The Death Of Fun has a bright, Californian feel to it and was one of 2011’s most lauded Irish releases.

Bringing to mind the vocal harmonies of The Byrds, Cashier No. 9 still bring something original to the table. Their songs catch the ear, and hopefully they’ll get plenty of airtime this year. Live, they were slick and impressive with percussionist Phillip Wallace looking dapper in a bowler hat while taking a harmonica solo. They will play Galway on April 21, when they visit the Róisín Dubh and are well worth checking out.

This year, a new element was introduced to the Meteor Choice Music Prize – the award for Song of the Year. It had a Galway interest, with The Kanyu Tree’s Radio deservedly in contention. Unfortunately, the McCluskey brothers were pipped by Royseven for their song We Should be Lovers. There was some confusion as to whether Royseven were actually in the Olympia, and the techies were soon back on stage to prepare for the next act.

For more, read this week’s Connacht Tribune.

Galway in Days Gone By

The way we were – Protecting archives of our past

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A photo of Galway city centre from the county council's archives

People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.

Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.

She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.

Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.

Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.

When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.

Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.

And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.

All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.

“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”

That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.

 

For more from the archives see this week’s Tribunes here

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Galway have lot to ponder in poor show

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Date Published: 23-Jan-2013

SLIGO 0-9

GALWAY 1-4

FRANK FARRAGHER IN ENNISCRONE

GALWAY’S first serious examination of the 2013 season rather disturbingly ended with a rating well below the 40% pass mark at the idyllic, if rather Siberian, seaside setting of Enniscrone on Sunday last.

The defeat cost Galway a place in the FBD League Final against Leitrim and also put a fair dent on their confidence shield for the bigger tests that lie ahead in February.

There was no fluke element in this success by an understrength Sligo side and by the time Leitrim referee, Frank Flynn, sounded the final whistle, there wasn’t a perished soul in the crowd of about 500 who could question the justice of the outcome.

It is only pre-season and last Sunday’s blast of dry polar winds did remind everyone that this is far from summer football, but make no mistake about it, the match did lay down some very worrying markers for Galway following a couple of victories over below par third level college teams.

Galway did start the game quite positively, leading by four points at the end of a first quarter when they missed as much more, but when Sligo stepped up the tempo of the game in the 10 minutes before half-time, the maroon resistance crumbled with frightening rapidity.

Some of the statistics of the match make for grim perusal. Over the course of the hour, Galway only scored two points from play and they went through a 52 minute period of the match, without raising a white flag – admittedly a late rally did bring them close to a draw but that would have been very rough justice on Sligo.

Sligo were backable at 9/4 coming into this match, the odds being stretched with the ‘missing list’ on Kevin Walsh’s team sheet – Adrian Marren, Stephen Coen, Tony Taylor, Ross Donovan, David Kelly, David Maye, Johnny Davey and Eamon O’Hara, were all marked absent for a variety of reasons.

Walsh has his Sligo side well schooled in the high intensity, close quarters type of football, and the harder Galway tried to go through the short game channels, the more the home side bottled them up.

Galway badly needed to find some variety in their attacking strategy and maybe there is a lot to be said for the traditional Meath style of giving long, quick ball to a full forward line with a big target man on the edge of the square – given Paul Conroy’s prowess close to goal last season, maybe it is time to ‘settle’ on a few basics.

Defensively, Galway were reasonably solid with Gary Sice at centre back probably their best player – he was one of the few men in maroon to deliver decent long ball deep into the attacking zone – while Finian Hanley, Conor Costello and Gary O’Donnell also kept things tight.

For more, read this week’s Connacht Tribune.

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Real Galway flavour to intermediate club hurling battle in Birr

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Date Published: 23-Jan-2013

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