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Underground film sector in Galway comes into firm focus



Date Published: {J}

In Tuam, a young man wakes up with an awful hangover. As he begins to piece together some of the events from the night before, he realises that he now owes a lot of money to the town’s most notorious criminal and he has 48 hours to pay. His beautiful girlfriend is pregnant. He feels cornered.

Down in Limerick, an unemployed father of ten surveys his beloved housing estate as it’s about to be knocked to the ground. He sees Government attempts to regenerate the area as a threat to his freedom, a treasured way of life in which he roams the estate on a pieballed horse. There are no jobs in Moyhill, but humour gets people through the day.

Up in North Mayo, a small rural community feels under attack. A giant multinational and the Irish State are threatening the peace and tranquillity people have taken for granted for generations, as opposition to a gas pipeline tears the community apart. People have gone to jail, they feel they have been betrayed by their own Government.

Three stories, two of them fictional and one very real. The first two relate to short dramas which are currently taking the country by storm thanks to RTE’s StoryLand competition, while the third is the subject of a feature length documentary which has won over audiences and critics as far away as Boston and Berlin.

And the common thread between gritty drama Lucky Run, mockumentary The Outlaw Concy Ryan, and Irish Film and Television Award winner The Pipe is that all three were filmed by small, independent companies which have sprung up in Galway in the past couple of years.

The country might be in the grips of an economic crisis, but right now there is a thriving underground film industry in Galway. The county boasts anything up to 30 independent production companies, a host of freelance technicians, actors, and producers, its very own soap opera in Ros na Rún, and an innovative broadcaster in TG4.

A ‘cottage’ industry is thriving here, boosted by the presence of the Huston School of Film and Digital Media, commissioning editors at TG4, the Irish Film Board (IFB) and the Galway Film Resource Centre. Without funding from TG4 and the IFB, for example, The Pipe might never have seen the light of day.

Film-maker Richie Ó Domhnaill was living with his uncle on Broadhaven Bay when he began to take an interest in all the trouble surrounding the Corrib Gas pipeline nearby. He filmed the controversy as a cameraman for TG4 news but, convinced that the true story was not being told, he set up his own company in order to film The Pipe. After four years of filming, the result is a gripping documentary which has won over audiences on both sides of the Atlantic.

“I made the film because I felt that it was a very difficult story for the media to portray and that the full story was not appearing in the national media. The most important elements of it seemed to be way off the radar. As an independent film-maker, though, the financial side of things is tough,” admits Ó Domhnaill, whose company lost €110,000 last year.

For more, read this week’s Galway City Tribune.

Galway in Days Gone By

The way we were – Protecting archives of our past



A photo of Galway city centre from the county council's archives

People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.

Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.

She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.

Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.

Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.

When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.

Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.

And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.

All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.

“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”

That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.


For more from the archives see this week’s Tribunes here

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Archive News

Galway have lot to ponder in poor show



Date Published: 23-Jan-2013




GALWAY’S first serious examination of the 2013 season rather disturbingly ended with a rating well below the 40% pass mark at the idyllic, if rather Siberian, seaside setting of Enniscrone on Sunday last.

The defeat cost Galway a place in the FBD League Final against Leitrim and also put a fair dent on their confidence shield for the bigger tests that lie ahead in February.

There was no fluke element in this success by an understrength Sligo side and by the time Leitrim referee, Frank Flynn, sounded the final whistle, there wasn’t a perished soul in the crowd of about 500 who could question the justice of the outcome.

It is only pre-season and last Sunday’s blast of dry polar winds did remind everyone that this is far from summer football, but make no mistake about it, the match did lay down some very worrying markers for Galway following a couple of victories over below par third level college teams.

Galway did start the game quite positively, leading by four points at the end of a first quarter when they missed as much more, but when Sligo stepped up the tempo of the game in the 10 minutes before half-time, the maroon resistance crumbled with frightening rapidity.

Some of the statistics of the match make for grim perusal. Over the course of the hour, Galway only scored two points from play and they went through a 52 minute period of the match, without raising a white flag – admittedly a late rally did bring them close to a draw but that would have been very rough justice on Sligo.

Sligo were backable at 9/4 coming into this match, the odds being stretched with the ‘missing list’ on Kevin Walsh’s team sheet – Adrian Marren, Stephen Coen, Tony Taylor, Ross Donovan, David Kelly, David Maye, Johnny Davey and Eamon O’Hara, were all marked absent for a variety of reasons.

Walsh has his Sligo side well schooled in the high intensity, close quarters type of football, and the harder Galway tried to go through the short game channels, the more the home side bottled them up.

Galway badly needed to find some variety in their attacking strategy and maybe there is a lot to be said for the traditional Meath style of giving long, quick ball to a full forward line with a big target man on the edge of the square – given Paul Conroy’s prowess close to goal last season, maybe it is time to ‘settle’ on a few basics.

Defensively, Galway were reasonably solid with Gary Sice at centre back probably their best player – he was one of the few men in maroon to deliver decent long ball deep into the attacking zone – while Finian Hanley, Conor Costello and Gary O’Donnell also kept things tight.

For more, read this week’s Connacht Tribune.

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Archive News

Real Galway flavour to intermediate club hurling battle in Birr



Date Published: 23-Jan-2013


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