A Different View
Singsongs and noble calls will rarely hit the right key
A Different View with Dave O’Connell
It’s great to hear Finbar Furey back at the top of the charts – because a new song from the oul’ warbler gives the inebriated entertainers of Ireland a new tune to murder during the dregs of a Saturday night session.
That’s no disrespect to Finbar, who is – to use that oft-abused phrase – a living legend. And his chosen song from the surprisingly addictive RTE series, the Hit, is a classic in the making.
He took a song written twenty years ago by a fellow Dub, Gerry Fleming, and polished it into a work of art that, despite the same words and lyrics, sounded completely different in his inimitable hands.
The Last Great Love Song, which hit the top of the Irish charts at the weekend, instantly sounded like it had been around for a hundred years and it may well be around for another hundred – which is to Finbar’s credit.
He is a unique talent, and there is a legion of folk legends who list him as one of the great influences and originators of the genre as we know it – but even Finbar himself would never claim that he had the musical range of more than one key.
Which is one of the many reasons that his repertoire has endured through the decades – because songs like the Green Fields of France or even the Fields of Athenry or Raglan Road or Dublin in the Rare Oul’ Times (I know the Fureys can’t be held responsible for most of those) don’t require a huge vocal range to batter to death in a singsong.
All it takes is an ability to shout with feeling – a talent that most of us find comes naturally to us after a couple of pints.
If you can’t even manage that, then choose a song that everyone can shout at the same time – any rebel song that mentions Black and Tans is always good and late at night anything that calls for a united Ireland is a sure-fire winner every time.
So the secret for bad singers is to pick a song you can shout – and if your own shouting is not enough, pick one that everyone else can shout along to with you.
That said, this is infinitely better than the alternative…..karaoke, and in particular that old staple that so many women in particular seem to think should be their party piece – the Wind Beneath My Wings.
Experience will teach you that this can often seem palatable – almost tuneful – until it gets to the point where Bette Midler moved into a different gear with that elongated ‘Fly’ part of the song….a wonderful evocative moment when it’s sung by a professional.
But placed in the hands of a pub singer with a misguided sense of their own ability, it’s as deadly as a grenade with the pin out in the hands of a mad Mullah from the Middle East.
It can have all the tunefulness of a canine mating call that will summon dogs for miles around, while leaving the audience itself with the sort of recurring tinnitus that once earned our UN veterans a small fortune in compensation for army deafness.
Pub talent competitions should carry a health warning – or at least offer plugs for your ears – because rarely in any other aspect of life will you get that level of delusion.
I can still hear one woman who sang the Roberta Flack classic Killing Me Softly without realising for a minute how apt the tite was – although one could dispute that killing was a soft one, from the audience’s perspective.
For more, read this week’s Connacht Tribune.
Connacht Tribune
If you don’t know who you are, the door staff have no chance
A Different View with Dave O’Connell
The only time in your life that you should ever utter the words: “Do you know who I am?” are if you’ve just had a bang on the head or you are unfortunately suffering from dementia.
Because, otherwise, the phrase ‘do you know who I am’ only serves to make things a whole lot worse.
Normally, the phrase is unleashed towards late night door staff on a wave of alcohol – and never once in the history of time has it produced the result the utterer had intended.
The doorman may well know who you are which is often the very reason you’re not getting into the place in the first instance – or if he doesn’t know who you are, he won’t be unduly influenced when he does, unless you’re a famous movie star or his long-lost cousin.
‘Do you know where I am?’ might often be closer to the phrase you’re looking for, because that would serve you well when you’re looking for a taxi.
‘Do you know who I am?’ is a threatening phrase that in truth wouldn’t frighten the cat. But if you’re anxious to dig the hole a few shovels deeper, you should follow up with ‘I’d like to speak to your manager.’
Managers can be elusive at the best of times, but they’re normally rarer than hen’s teeth when it comes to the small hours of the morning – and even if they’re there, they are most likely watching proceedings on CCTV…just so they know who you are, in case you yourself can’t remember.
‘I’d like to speak to your manager’ suggests that you and he or she are from the one social sphere which is several strata north of the one occupied by door staff.
For more, read this week’s Connacht Tribune.
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Connacht Tribune
Eurovision is just a giant party that could never cause offence
A Different View with Dave O’Connell
As it turned out, we were much closer to a Eurovision win than we could ever have imagined – not Ireland, of course, because we’ve now mastered the art of just sending cannon fodder to be blown out in the semi-final.
No, this was just two of us – myself and our eldest – who were lucky enough to be at Anfield for the Reds’ recent win over Brentford, where positioned in the seat right in front of us were four happy lads from Finland.
One of them, we now know, was Käärijä, the singer of the catchiest song at Eurovision, Cha Cha Cha.
But just a week before 7,000 people sung his catchphrase at the Eurovision Arena, he and two his mates – accompanied by an older bloke who had to be either his dad or from the national broadcaster – sat anonymously in the same corner of the lower level of Anfield’s Main Stand.
He was utterly unknown to us as well of course, and the only thing that saw him stand out was his green nail varnish. Live and let live, of course, but it still ensures that you make an impression even if it looks like you were just very late for St Patrick’s Day.
Käärijä may well be Liverpool’s greatest Scandinavian fan, although the bar for that is set fairly high, given that they invade the city in greater numbers every two weeks than the Vikings did just once during the first millennium.
Equally, he may not be a football fan at all – although, as the rest of the week proved, he sure loves a crowd.
Positioned as we were in the corner of the Main Stand, the next section to us, around the corner in the Anfield Road Stand – currently adding a top layer – was occupied by the visiting Brentford supporters.
For more, read this week’s Connacht Tribune.
Connacht Tribune Digital Edition App
Download the Connacht Tribune Digital Edition App to access to Galway’s best-selling newspaper.
Click HERE to download it for iPhone and iPad from Apple’s App Store, or HERE to get the Android Version from Google Play.
Or purchase the Digital Edition for PC, Mac or Laptop from Pagesuite HERE.
Get the Connacht Tribune Live app
The Connacht Tribune Live app is the home of everything that is happening in Galway City and county. It’s completely FREE and features all the latest news, sport and information on what’s on in your area. Click HERE to download it for iPhone and iPad from Apple’s App Store, or HERE to get the Android Version from Google Play.
Connacht Tribune
Tapping is contactless – but it’s soulless too
A Different View with Dave O’Connell
Contactless payments reached a record €17.9 billion in Ireland last year – up by 31 per cent on 2021, as people came out from under their Covid shell and appear to have left their cash behind them.
Figures from the Banking & Payments Federation found that – despite the cost-of-living increases – the Irish public made three million contactless payments a day, worth an average of €53 million in the final quarter of 2022.
Given that there are 3.8 million people in Ireland over the age of 18, that means that almost every single one of us tapped the card every day last year.
And again, on the presumption that there are a few who still prefer peeling a fifty off a wad of notes, the true figure may be even higher, as we eschew actual money every time we go into a restaurant, bar or shop.
Then comes the monthly morning of reckoning when you open your statement – electronic of course because, like paper money, banks don’t deal in paper statements anymore either – and your guilty secrets unfurl like a rap sheet before your very eyes.
Five taps of a Friday night in the local, followed by a five-ounce burger meal on the way home.
And just why did you need a family-pack of crisps when a small bag would have done? Was all that beer and wine really for a party, or a night in just for one?
Cash provided plenty of dark corners to ignore your profligacy, but there are no hiding places in the contactless world.
Worse still, until that morning of reckoning arrives, you’ve no clue how much you’ve spent, and handing over the card doesn’t hurt half as much as parting with hard cash.
For more, read this week’s Connacht Tribune.
Connacht Tribune Digital Edition App
Download the Connacht Tribune Digital Edition App to access to Galway’s best-selling newspaper.
Click HERE to download it for iPhone and iPad from Apple’s App Store, or HERE to get the Android Version from Google Play.
Or purchase the Digital Edition for PC, Mac or Laptop from Pagesuite HERE.
Get the Connacht Tribune Live app
The Connacht Tribune Live app is the home of everything that is happening in Galway City and county. It’s completely FREE and features all the latest news, sport and information on what’s on in your area. Click HERE to download it for iPhone and iPad from Apple’s App Store, or HERE to get the Android Version from Google Play.