Archive News
Musicians who have made Galway alive to sound of music
Date Published: 21-Feb-2013
They have definitely lifted the standard of music in Galway and they are lovely to work with,” says local musician and teacher Carl Hession about the Romanian string quartet ConTempo, who will celebrate their 10th anniversary as Galway’s Music Residency next weekend.
Carl teaches at the city’s Coláiste Iognáid, where ConTempo regularly hold free music workshops for students, generally in Leaving Cert, on exam-related topics.
Workshops with schools and community groups are part of the remit of this hugely-talented classical quartet, which moved to Galway in 2003 after successfully auditioning to become Musicians in Residence.
They came under the umbrella of Music for Galway, supported by local businesses, to develop an appreciation of classical music locally through workshops, performances and collaborations with other musicians.
The ConTempo musicians – violinist Bogdan Sofei, violinist Ingrid Nicola, viola player Andreea Banciu and cellist Adrian Mantu – have been linked professionally and personally since their days in music college in Bucharest in the early 1990s.
Bogdan and Ingrid are married to each other and it’s a similar story for Andreea and Adrian. The two couples, who formed ConTempo in 1995, now live between Moycullen and Oughterard in Roscahill. Each couple has two children.
“We are creating a new string quartet,” says Bogdan with a smile.
Galway is firmly home for the four, although they didn’t envisage that when they first came here on a three-year contract.
“When we came here, one of the aims of our project was to bring classical music to remote areas,” recalls Bogdan. They certainly have done that.
Over the past ten years ConTempo have worked with over 15,000 students countywide. They have presented 275 concerts in Galway city and county, performing 240 works from 85 composers, both classical and contemporary. They have collaborated with musicians from 11 different countries and hosted 88 international artists. They have also worked closely with 11 outstanding young new composers.
Between their appearances in Ireland and abroad, they have travelled almost 30,000 miles, going through 815 strings and 16 bows.
After all of that Bogdan and Adrian remain as enthusiastic as ever about the project, which is the longest classical music residency in the country.
Cork has the Van Brugh and Limerick has the Irish Chamber Orchestra, but ConTempo “are a unique residency because local performance was a very important aspect of it”, says Adrian.
That performance and workshopping aspect has helped them to become part of the Galway community, something that surprised them a little in the beginning.
“Musicians are gypsies, especially classical musicians because we perform music from different composers, who are from different places and different eras,” Adrian explains. “As a string quartet we had travelled a lot and had won a lot of international competitions and prizes. Three years in London at the Royal Academy (after they were awarded a Fellowship) was the longest we had spent anywhere before Galway.”
Their remit here was different, he adds.
For more, read this week’s Galway City Tribune.
People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.
Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.
She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.
Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.
Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.
When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.
Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.
And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.
All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.
“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”
That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.
For more from the archives see this week’s Tribunes here
Date Published: 23-Jan-2013
SLIGO 0-9
GALWAY 1-4
FRANK FARRAGHER IN ENNISCRONE
GALWAY’S first serious examination of the 2013 season rather disturbingly ended with a rating well below the 40% pass mark at the idyllic, if rather Siberian, seaside setting of Enniscrone on Sunday last.
The defeat cost Galway a place in the FBD League Final against Leitrim and also put a fair dent on their confidence shield for the bigger tests that lie ahead in February.
There was no fluke element in this success by an understrength Sligo side and by the time Leitrim referee, Frank Flynn, sounded the final whistle, there wasn’t a perished soul in the crowd of about 500 who could question the justice of the outcome.
It is only pre-season and last Sunday’s blast of dry polar winds did remind everyone that this is far from summer football, but make no mistake about it, the match did lay down some very worrying markers for Galway following a couple of victories over below par third level college teams.
Galway did start the game quite positively, leading by four points at the end of a first quarter when they missed as much more, but when Sligo stepped up the tempo of the game in the 10 minutes before half-time, the maroon resistance crumbled with frightening rapidity.
Some of the statistics of the match make for grim perusal. Over the course of the hour, Galway only scored two points from play and they went through a 52 minute period of the match, without raising a white flag – admittedly a late rally did bring them close to a draw but that would have been very rough justice on Sligo.
Sligo were backable at 9/4 coming into this match, the odds being stretched with the ‘missing list’ on Kevin Walsh’s team sheet – Adrian Marren, Stephen Coen, Tony Taylor, Ross Donovan, David Kelly, David Maye, Johnny Davey and Eamon O’Hara, were all marked absent for a variety of reasons.
Walsh has his Sligo side well schooled in the high intensity, close quarters type of football, and the harder Galway tried to go through the short game channels, the more the home side bottled them up.
Galway badly needed to find some variety in their attacking strategy and maybe there is a lot to be said for the traditional Meath style of giving long, quick ball to a full forward line with a big target man on the edge of the square – given Paul Conroy’s prowess close to goal last season, maybe it is time to ‘settle’ on a few basics.
Defensively, Galway were reasonably solid with Gary Sice at centre back probably their best player – he was one of the few men in maroon to deliver decent long ball deep into the attacking zone – while Finian Hanley, Conor Costello and Gary O’Donnell also kept things tight.
For more, read this week’s Connacht Tribune.
Date Published: 23-Jan-2013
images/files/images/x3_Courthouse.jpg
Families queue up for school’s offer of free house
West has lower cancer survival rates than rest
Galway minors continue to lay waste to all opponents
Gardaí and IFA issue a joint appeal on summer road safety
Marathon Man plans to call a halt – but not before he hits 160 races
