Archive News
Marian Choral Society to present ‘Aida’ – The Musical
Date Published: {J}
By Declan Tierney
The ability of the Marian Choral Society in Tuam to find new talent on an annual basis was highlighted at the launch of their new production Aida – The Musical which will be stated in early November.
For the past 37 years, the group have been staging a musical in Tuam and during that time they have produced some memorable shows as well as providing a platform for many accomplished singers and actors.
It is something of an institution as far as Tuam is concerned as the annual musical is a much anticipated event and particularly as the choral society have the proud tradition of coming up with a different show each year.
And they boast the fact that Aida – The Musical is yet another Irish premiere – following on from Titanic last year – and tickets for the show, which runs from Tuesday, November 1, to Saturday, November 5, are selling well.
The musical was written by Elton John and Tim Rice although it is obviously still based on the story of Verdi’s original opera.
Chairperson of the Marian Choral Society, Tara Killilea said that she was proud that they were staging another premiere and thanked all involved in the production for months of commitment and dedication.
“It is great to see so many people involved again this year and the degree of enthusiasm has not waned from year to year. Hopefully it will be a sell out like last year’s show”, Tara added.
This year the show will be staged in the Mercy Convent hall – it has always been held in St Jarlath’s but their gym is undergoing renovations – and John Mulrooney, PRO of the society, explained that there was stiff competition from other towns to host the premiere.
The plot hinges on a forbidden love triangle involving the Pharaoh’s daughter, Amneris (Katie St John), her fiancé, Radames (Shane Kelly) and a captured princess, Aida (Bronagh Culkin).
A slave, Mereb, (Ronan Rooney) tries to help his princess, Aida, to escape back to her home country, Nubia.
Set against a backdrop of loyalty, betrayal, and forbidden love, Aida is the story of three people who are forced to make difficult choices that will alter history forever.
The show is once again directed by Enda Burke who has a long association with the Marian Choral Society while Aoife McClafferty is the choreographer with Shane Farrell the musical director. All three received great praise for their work on Titanic last year.
The main roles are supported by Louis Brennan, Kevin O’Dwyer, Amy Byrne and John Mulrooney.
Principal of Mercy Secondary School, Gearoid Leen, was thanked for making the venue available to them while the launch of the show was also attended by Cllr Tom McHugh, Cllr Shaun Cunniffe and town councillors Sally Ann Flanagan, Imelda Kelly and Eamon Kitt.
Galway in Days Gone By
The way we were – Protecting archives of our past
People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.
Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.
She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.
Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.
Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.
When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.
Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.
And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.
All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.
“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”
That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.
For more from the archives see this week’s Tribunes here
Archive News
Galway have lot to ponder in poor show
Date Published: 23-Jan-2013
SLIGO 0-9
GALWAY 1-4
FRANK FARRAGHER IN ENNISCRONE
GALWAY’S first serious examination of the 2013 season rather disturbingly ended with a rating well below the 40% pass mark at the idyllic, if rather Siberian, seaside setting of Enniscrone on Sunday last.
The defeat cost Galway a place in the FBD League Final against Leitrim and also put a fair dent on their confidence shield for the bigger tests that lie ahead in February.
There was no fluke element in this success by an understrength Sligo side and by the time Leitrim referee, Frank Flynn, sounded the final whistle, there wasn’t a perished soul in the crowd of about 500 who could question the justice of the outcome.
It is only pre-season and last Sunday’s blast of dry polar winds did remind everyone that this is far from summer football, but make no mistake about it, the match did lay down some very worrying markers for Galway following a couple of victories over below par third level college teams.
Galway did start the game quite positively, leading by four points at the end of a first quarter when they missed as much more, but when Sligo stepped up the tempo of the game in the 10 minutes before half-time, the maroon resistance crumbled with frightening rapidity.
Some of the statistics of the match make for grim perusal. Over the course of the hour, Galway only scored two points from play and they went through a 52 minute period of the match, without raising a white flag – admittedly a late rally did bring them close to a draw but that would have been very rough justice on Sligo.
Sligo were backable at 9/4 coming into this match, the odds being stretched with the ‘missing list’ on Kevin Walsh’s team sheet – Adrian Marren, Stephen Coen, Tony Taylor, Ross Donovan, David Kelly, David Maye, Johnny Davey and Eamon O’Hara, were all marked absent for a variety of reasons.
Walsh has his Sligo side well schooled in the high intensity, close quarters type of football, and the harder Galway tried to go through the short game channels, the more the home side bottled them up.
Galway badly needed to find some variety in their attacking strategy and maybe there is a lot to be said for the traditional Meath style of giving long, quick ball to a full forward line with a big target man on the edge of the square – given Paul Conroy’s prowess close to goal last season, maybe it is time to ‘settle’ on a few basics.
Defensively, Galway were reasonably solid with Gary Sice at centre back probably their best player – he was one of the few men in maroon to deliver decent long ball deep into the attacking zone – while Finian Hanley, Conor Costello and Gary O’Donnell also kept things tight.
For more, read this week’s Connacht Tribune.
Archive News
Real Galway flavour to intermediate club hurling battle in Birr
Date Published: 23-Jan-2013
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