Date Published: 11-Jul-2012
Galway born, Dublin based singer Aisling Quinn plays Monroe’s Live this Friday, July 13, as part of the Galway Fringe festival. If you’re looking for a gig out of the ordinary, this is it – expect to see a typewriter being played onstage! The addition of this unusual instrument to her band was prompted by her latest single, Song I Wrote For You.
“If you listen to it, you can hear me doing vocal rhythms in the background, which simulate typewriter-y sounds,” says Aisling. “We were thinking of how to do it live and our drummer at the time said ‘why not get a typewriter?’, and we all just had a laugh about it.”
Aisling’s debut album, Let The Games Begin was released in May 2011, and was very much a labour of love.
“I went into the studio in 2008 to start work on it,” Aisling recalls. “It took me two years to do the album, but because it was my first one I wanted to be really careful about it. I knew when it went out that, if I ever had to defend it, I wanted to be completely convinced myself that it was the album I wanted to put out.”
Given that she had put so much time into the project, it might have been difficult for the singer to let it go. But that wasn’t the case for the woman described by Hot Press Magazine as a “jazz-pop marvel”.
“I’d been listening to the songs so much,” Aisling says. “I arranged all the stuff on it, listening to it constantly going ‘what needs to go there, that’s not quite right’. I stopped for a while when I thought it was at the place I wanted it to be, stopped, let it go, then came back and listened to it. And I think there’s a natural progression where you go ‘right, I don’t want to touch it anymore. I’ve manipulated it enough’.”
Aisling then goes on to give an insight into what punters at her Galway show can expect from her five-piece band.
“We’re always quirky, because we like to have fun ourselves when we’re onstage,” she says. “We don’t want to drag anyone down or anything like that. I’ve spent too many nights going around singer/songwriter nights back in the late nineties to ever want to depress a room with songs of suicidal thoughts!
“There’ll be flute and sax – typewriter of course! – doubles bass, me on mandolin, maybe guitar and piano. And my good old brother who’s living down in Galway, Ronan Quinn, on cajon (a type of Spanish drum).
Although Aisling is a proficient piano player, she often opts for the mandolin when it comes to performing.
“It’s a happy instrument,” she explains. “I’m conscious sometimes about the piano as well – while I do like reflective songs, there’s a slight tendency with the piano sometimes to go into that genre. I like to lift myself out of it, and mix instruments. It’s nice to take yourself away from the instrument you’re mainly on, so you can hear a different side of how to write. It makes it more interesting.”
Does Aisling have melodies going in her head constantly, or does she set aside a certain time for writing?
“That’s one thing I actually don’t do,” she says. “I never sit down and go ‘right, it’s song time’. It’s never been that way for me. Sometimes I go through spells where I don’t write at all, and that’s OK because I’ve nothing to write about at that moment.
For more, read this week’s Connacht Tribune.
The way we were – Protecting archives of our past
People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.
Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.
She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.
Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.
Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.
When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.
Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.
And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.
All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.
“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”
That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.
For more from the archives see this week’s Tribunes here
Galway have lot to ponder in poor show
Date Published: 23-Jan-2013
FRANK FARRAGHER IN ENNISCRONE
GALWAY’S first serious examination of the 2013 season rather disturbingly ended with a rating well below the 40% pass mark at the idyllic, if rather Siberian, seaside setting of Enniscrone on Sunday last.
The defeat cost Galway a place in the FBD League Final against Leitrim and also put a fair dent on their confidence shield for the bigger tests that lie ahead in February.
There was no fluke element in this success by an understrength Sligo side and by the time Leitrim referee, Frank Flynn, sounded the final whistle, there wasn’t a perished soul in the crowd of about 500 who could question the justice of the outcome.
It is only pre-season and last Sunday’s blast of dry polar winds did remind everyone that this is far from summer football, but make no mistake about it, the match did lay down some very worrying markers for Galway following a couple of victories over below par third level college teams.
Galway did start the game quite positively, leading by four points at the end of a first quarter when they missed as much more, but when Sligo stepped up the tempo of the game in the 10 minutes before half-time, the maroon resistance crumbled with frightening rapidity.
Some of the statistics of the match make for grim perusal. Over the course of the hour, Galway only scored two points from play and they went through a 52 minute period of the match, without raising a white flag – admittedly a late rally did bring them close to a draw but that would have been very rough justice on Sligo.
Sligo were backable at 9/4 coming into this match, the odds being stretched with the ‘missing list’ on Kevin Walsh’s team sheet – Adrian Marren, Stephen Coen, Tony Taylor, Ross Donovan, David Kelly, David Maye, Johnny Davey and Eamon O’Hara, were all marked absent for a variety of reasons.
Walsh has his Sligo side well schooled in the high intensity, close quarters type of football, and the harder Galway tried to go through the short game channels, the more the home side bottled them up.
Galway badly needed to find some variety in their attacking strategy and maybe there is a lot to be said for the traditional Meath style of giving long, quick ball to a full forward line with a big target man on the edge of the square – given Paul Conroy’s prowess close to goal last season, maybe it is time to ‘settle’ on a few basics.
Defensively, Galway were reasonably solid with Gary Sice at centre back probably their best player – he was one of the few men in maroon to deliver decent long ball deep into the attacking zone – while Finian Hanley, Conor Costello and Gary O’Donnell also kept things tight.
For more, read this week’s Connacht Tribune.
Real Galway flavour to intermediate club hurling battle in Birr
Date Published: 23-Jan-2013