Connacht Tribune

Honouring a master of music

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Steve Cooney. Photo by Colin Gillen

Lifestyle – Australian-born Steve Cooney moved to Ireland 40 years ago, instructed to do so by his Aboriginal tribe. Since then his contribution to Irish music has earned him admirers and friends at home and abroad. Next week, he will receive the Lifetime Achievement Award in RTÉ’s Folk Awards. He tells JUDY MURPHY of his journey.

When ground-breaking guitar player Steve Cooney played the Clifden Arts Festival shortly before Covid-19 Level Five restrictions were re-imposed, he had no idea he’d won the Lifetime Achievement award in this year’s RTÉ’s annual Folk Awards.

The accolade, announced last week, has topped off a good year for Steve who was performing in Clifden with Cúil Aodh singer Iarla Ó Lionáird, and whose new album Ceol Ársa Cláirsí: Tunes of the Irish Harp for Solo Guitar has been getting rave reviews.

On it, Steve has taken Irish harp tunes, which were composed or collected between the early 17th century and late 18th century, playing them on steel-string and nylon-string guitar.

It’s a project he embarked “for personal satisfaction” and the result is a multi-layered, magical, meditative album.

Among the people he credits on the album is the renowned harpist Kathleen Loughnane, who lives in Galway City and whose extensive research into the tradition offered new insights into the tunes of the Connellan brothers from Sligo. Four of their tunes feature on Steve’s album, alongside work by Turlough Ó Carolan, Denis Ó hAmsaigh, Ruaidhrí Dall Ó Cathain and others.

Given that the harp has such a sacred place in Irish music, interpreting these tunes on guitar seems like a brave move. But Steve has always followed his own musical path and loves the harp. So, it’s no surprise that he feels guitar players “should be able to claim it: we pluck strings and should not feel that territory is forbidden to us”.

He has enormous respect for the harpers who were an intrinsic part of the ancient Gaelic tradition that fell victim to English rule, and he praises the complexity of their tunes.

For more, read this week’s Connacht Tribune.

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