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Feeling queasy about this trade in the clothes of the stars

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Date Published: {J}

I regularly hear Gay Byrne in advertisements extolling the exhibits at a museum for the ‘icons of fashion’ – clothes which were worn by Audrey Hepburn and references to the clothes of Michael Jackson.

 

It makes me wonder when I hear the adverts whether I am the only one who gets a slightly queasy feeling about where museum exhibits end and exploitation begins.

Certainly, it is something which has come to the fore in recent weeks where sales of such items seem to have found a lively market. From one news item which I saw, it would appear that former film star Debbie Reynolds has cornered a whole section of this growing trade because, years ago, she figured that these items might appreciate in value.

Unless I am mistaken, the market years ago began with the sale of items related to Judy Garland and her playing of Dorothy in The Wizard of Oz. I distinctly remember those signature red shoes that walked down The Yellow Brick Road all those years ago.

I have to tread a little warily here for I am someone who has traipsed, like millions of others, through places like Madame Tussauds, the Tower of London, Hampton Court Palace and all the other museums where the circumstances and the daily lives of the great are recalled and an integral part of the displays is the splendid clothing worn by kings, queens and film stars.

I have spent hours queueing at the Tower of London to see the extraordinary apartments, the suits of armour, the jewellery, and portraits. Indeed, I once went down the Thames by boat on the journey to see the magnificent Hampton Court Palace . . . I travelled that way on the Thames, seeing modern landmarks like the Battersea Power Station, because I wished to bring back memories of seeing the traffic on The Thames as shown in A Man For All Seasons.

I have to say that, though in the case of Madame Tussauds the likenesses are remarkable, I found that in many instances there was ‘something missing’. Of course, the figures, the faces, the clothes and all of the finery were exactly right . . . but the faces just seemed to lack that indefinable quality.

One would imagine, for instance, that in the case of someone like Tony Blair the waxwork image would be relatively easy to do . . . but, then if occurred to me, what the figures lack is the animation in the eyes. Truly, the eyes are the windows to the soul. And, in the case of Tony Blair, there was that one eye which seemed, betimes, to take on a life of its own!

My hesitation about the thriving business of selling off the clothes of the great who are no longer with us, comes from an inability to dismiss the thoroughly miserable lives which were led by the likes of Marilyn Monroe and Judy Garland, the latter dead at 47 and umpteen times married.

Here, I am dating myself . . . but people of a more modern era might look at the sale of that Michael Jackson jacket in the past few weeks for close on two million dollars.

For more, read this week’s Galway City Tribune.

Galway in Days Gone By

The way we were – Protecting archives of our past

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A photo of Galway city centre from the county council's archives

People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.

Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.

She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.

Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.

Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.

When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.

Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.

And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.

All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.

“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”

That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.

 

For more from the archives see this week’s Tribunes here

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Galway have lot to ponder in poor show

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Date Published: 23-Jan-2013

SLIGO 0-9

GALWAY 1-4

FRANK FARRAGHER IN ENNISCRONE

GALWAY’S first serious examination of the 2013 season rather disturbingly ended with a rating well below the 40% pass mark at the idyllic, if rather Siberian, seaside setting of Enniscrone on Sunday last.

The defeat cost Galway a place in the FBD League Final against Leitrim and also put a fair dent on their confidence shield for the bigger tests that lie ahead in February.

There was no fluke element in this success by an understrength Sligo side and by the time Leitrim referee, Frank Flynn, sounded the final whistle, there wasn’t a perished soul in the crowd of about 500 who could question the justice of the outcome.

It is only pre-season and last Sunday’s blast of dry polar winds did remind everyone that this is far from summer football, but make no mistake about it, the match did lay down some very worrying markers for Galway following a couple of victories over below par third level college teams.

Galway did start the game quite positively, leading by four points at the end of a first quarter when they missed as much more, but when Sligo stepped up the tempo of the game in the 10 minutes before half-time, the maroon resistance crumbled with frightening rapidity.

Some of the statistics of the match make for grim perusal. Over the course of the hour, Galway only scored two points from play and they went through a 52 minute period of the match, without raising a white flag – admittedly a late rally did bring them close to a draw but that would have been very rough justice on Sligo.

Sligo were backable at 9/4 coming into this match, the odds being stretched with the ‘missing list’ on Kevin Walsh’s team sheet – Adrian Marren, Stephen Coen, Tony Taylor, Ross Donovan, David Kelly, David Maye, Johnny Davey and Eamon O’Hara, were all marked absent for a variety of reasons.

Walsh has his Sligo side well schooled in the high intensity, close quarters type of football, and the harder Galway tried to go through the short game channels, the more the home side bottled them up.

Galway badly needed to find some variety in their attacking strategy and maybe there is a lot to be said for the traditional Meath style of giving long, quick ball to a full forward line with a big target man on the edge of the square – given Paul Conroy’s prowess close to goal last season, maybe it is time to ‘settle’ on a few basics.

Defensively, Galway were reasonably solid with Gary Sice at centre back probably their best player – he was one of the few men in maroon to deliver decent long ball deep into the attacking zone – while Finian Hanley, Conor Costello and Gary O’Donnell also kept things tight.

For more, read this week’s Connacht Tribune.

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Real Galway flavour to intermediate club hurling battle in Birr

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Date Published: 23-Jan-2013

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