Archive News
Chakras building on the success of their unusual swan song
Date Published: {J}
The Chakras, a Dublin-born, London-based alternative rock five piece, play a free show in the city’s Róisín Dubh on Monday next, June 27. The band is made up of brothers Rocky (vocals) and Gordo Whittaker (guitar), Pepo (keys), Ian Kane on bass and Stu (drums).
Rocky and his band are currently living in Wimbledon and gearing up for the release of their debut album, Build Me a Swan.
“We’ve a good set-up,” Rocky says about their London base. “We’re all living together and there’s a practice room very close to the house, which is handy.”
Rocky played in different bands around Dublin before joining his brother in The Chakras. It took a while for the quintet to find their sound – but when they did, there was a spark they had to act on.
“We put out our first single – it was dodgy now! – three and a half years ago,” Rocky recalls. “But it was a completely different band. We were pushing in ten different directions. The day we found our sound was when we wrote Build Me a Swan. It was a common direction for the first time. It was the leading light, the thing that showed us where to go.”
Build Me a Swan was such a pivotal song for The Chakras that they decided to name the album after it. Rocky explains how the single came about.
“It was a completely different song and we were messing around with reverse effects. We turned the whole song backwards and it sounded amazing! It was basically a mistake – you could play a million songs backwards and most of them will sound dreadful.”
Rocky is reluctant to get into the subject matter of the song.
“I always think it’s better not to explain much of the lyrics,” he says. “I think the best thing is for people to make it mean something to their lives. If you explain exactly what it’s about, it narrows it down. It’s better leaving it up in the air a bit.
“The music gives the feeling as well. I always listen to songs a good while before I write the lyrics. I try to write lyrics that carry the same feeling as the music.”
The Chakras’ boldest move so far has been to move en masse to London. Why did they decide to take such a definite step?
“There’s a few factors involved,” Rocky says. “The main thing is we want to be an internationally successful band. It’s all we’ve ever wanted to do – it’s all we can do! And we realised that if we really wanted to do it, we had to come over here.
“Very few bands succeed internationally from Ireland,” he adds. “U2, The Corrs and the Cranberries, My Bloody Valentine – even going back to James Joyce – most people have to move away first. And then you earn the right to go back.”
Rocky is refreshingly honest when it comes to speaking about the Chakras’ burning sense of ambition.
“We did move over just to get signed,” he admits. “The people with the power in the music industry are over here and for us to get a decent wedge of cash we’d have to move over here. What we tried to do for years in Dublin happened very quick in London.”
For more, read this week’s Connacht Tribune.
People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.
Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.
She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.
Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.
Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.
When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.
Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.
And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.
All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.
“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”
That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.
For more from the archives see this week’s Tribunes here
Date Published: 23-Jan-2013
SLIGO 0-9
GALWAY 1-4
FRANK FARRAGHER IN ENNISCRONE
GALWAY’S first serious examination of the 2013 season rather disturbingly ended with a rating well below the 40% pass mark at the idyllic, if rather Siberian, seaside setting of Enniscrone on Sunday last.
The defeat cost Galway a place in the FBD League Final against Leitrim and also put a fair dent on their confidence shield for the bigger tests that lie ahead in February.
There was no fluke element in this success by an understrength Sligo side and by the time Leitrim referee, Frank Flynn, sounded the final whistle, there wasn’t a perished soul in the crowd of about 500 who could question the justice of the outcome.
It is only pre-season and last Sunday’s blast of dry polar winds did remind everyone that this is far from summer football, but make no mistake about it, the match did lay down some very worrying markers for Galway following a couple of victories over below par third level college teams.
Galway did start the game quite positively, leading by four points at the end of a first quarter when they missed as much more, but when Sligo stepped up the tempo of the game in the 10 minutes before half-time, the maroon resistance crumbled with frightening rapidity.
Some of the statistics of the match make for grim perusal. Over the course of the hour, Galway only scored two points from play and they went through a 52 minute period of the match, without raising a white flag – admittedly a late rally did bring them close to a draw but that would have been very rough justice on Sligo.
Sligo were backable at 9/4 coming into this match, the odds being stretched with the ‘missing list’ on Kevin Walsh’s team sheet – Adrian Marren, Stephen Coen, Tony Taylor, Ross Donovan, David Kelly, David Maye, Johnny Davey and Eamon O’Hara, were all marked absent for a variety of reasons.
Walsh has his Sligo side well schooled in the high intensity, close quarters type of football, and the harder Galway tried to go through the short game channels, the more the home side bottled them up.
Galway badly needed to find some variety in their attacking strategy and maybe there is a lot to be said for the traditional Meath style of giving long, quick ball to a full forward line with a big target man on the edge of the square – given Paul Conroy’s prowess close to goal last season, maybe it is time to ‘settle’ on a few basics.
Defensively, Galway were reasonably solid with Gary Sice at centre back probably their best player – he was one of the few men in maroon to deliver decent long ball deep into the attacking zone – while Finian Hanley, Conor Costello and Gary O’Donnell also kept things tight.
For more, read this week’s Connacht Tribune.
Date Published: 23-Jan-2013
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