Archive News
Art of making women look the picture of sensuality
Date Published: {J}
Beauty may only be skin deep but many of us feel so much better when we look good. It is no wonder then that many women are having make-overs and in recent years in Galway getting even more intimate with the camera lens.
For the past two years a new business has been growing quietly but steadily – commercial photography aimed at women shot at their most intimate, in their underwear.
Boudoir Sessions take place in a studio in Barna under the gentle and keen eye of Clare O’Regan, a mother of four who took up photography as a hobby and realised she had a knack for portraits.
A Californian who came to Galway in 1994, she explains that the Boudoir part of the business grew out of her makeovers.
She started taking photographs commercially seven years ago for the PR and marketing world under the company name, Core Photography and, five years ago, she jumped at an opportunity to use an available studio space near her home.
From there she started doing portraits and then she hooked up with make-up artist Malvina Barrett, whom she met through Network, an organisation aimed at businesswomen.
“We clicked almost right away and got talking and started doing makeovers. They are very popular with mothers and daughters. They bring their three favourite outfits, Malvena does their make-up and I take the photographs.
“Then more and more women started asking me if I would take a shot of them in their lingerie for their boyfriends or husbands and it grew from there.
“Two years ago we started Boudoir Sessions and since then women have travelled from all parts of Ireland to have themselves photographed in their underwear,” says Clare.
If that sounds tacky or cheap, it isn’t. Clare stresses that she doesn’t shoot porn or even glamour, as in topless.
“This isn’t about tackiness. In fact, if I feel a pose is borderline tacky, I won’t take it. I show the women how to pose and in most sessions, there is little nudity.
“I am looking for that sensual look in a woman, not necessarily sexiness, though most of the shots are sexy.
“The women tell me they want the pictures for the man in their lives but, really, I believe they want them for themselves because most of us want to look pretty, to be told we are beautiful. . . and if we look good, we feel good.
“Some clients are shy at first and it takes up until almost the last few shots to get them to relax, but once they do, they really start to enjoy it.”
In preparation, Clare advises women to get a pedicure and manicure and have their hair blow dried, though she prefers a more natural flowing look. She advises against a false tan as it streaks and her lights turn it a funny colour.
She also advises women to practice their model poses, basically facial expressions. Clients are also told to bring their favourite lingerie and shoes, as well as fishnet tights and stockings. There are plenty of other accessories in the studio, including shoes if they are needed.
She doesn’t encourage women wearing jewellery as it distracts from the picture.
For more, read this week’s Galway City Tribune.
People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.
Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.
She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.
Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.
Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.
When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.
Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.
And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.
All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.
“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”
That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.
For more from the archives see this week’s Tribunes here
Date Published: 23-Jan-2013
SLIGO 0-9
GALWAY 1-4
FRANK FARRAGHER IN ENNISCRONE
GALWAY’S first serious examination of the 2013 season rather disturbingly ended with a rating well below the 40% pass mark at the idyllic, if rather Siberian, seaside setting of Enniscrone on Sunday last.
The defeat cost Galway a place in the FBD League Final against Leitrim and also put a fair dent on their confidence shield for the bigger tests that lie ahead in February.
There was no fluke element in this success by an understrength Sligo side and by the time Leitrim referee, Frank Flynn, sounded the final whistle, there wasn’t a perished soul in the crowd of about 500 who could question the justice of the outcome.
It is only pre-season and last Sunday’s blast of dry polar winds did remind everyone that this is far from summer football, but make no mistake about it, the match did lay down some very worrying markers for Galway following a couple of victories over below par third level college teams.
Galway did start the game quite positively, leading by four points at the end of a first quarter when they missed as much more, but when Sligo stepped up the tempo of the game in the 10 minutes before half-time, the maroon resistance crumbled with frightening rapidity.
Some of the statistics of the match make for grim perusal. Over the course of the hour, Galway only scored two points from play and they went through a 52 minute period of the match, without raising a white flag – admittedly a late rally did bring them close to a draw but that would have been very rough justice on Sligo.
Sligo were backable at 9/4 coming into this match, the odds being stretched with the ‘missing list’ on Kevin Walsh’s team sheet – Adrian Marren, Stephen Coen, Tony Taylor, Ross Donovan, David Kelly, David Maye, Johnny Davey and Eamon O’Hara, were all marked absent for a variety of reasons.
Walsh has his Sligo side well schooled in the high intensity, close quarters type of football, and the harder Galway tried to go through the short game channels, the more the home side bottled them up.
Galway badly needed to find some variety in their attacking strategy and maybe there is a lot to be said for the traditional Meath style of giving long, quick ball to a full forward line with a big target man on the edge of the square – given Paul Conroy’s prowess close to goal last season, maybe it is time to ‘settle’ on a few basics.
Defensively, Galway were reasonably solid with Gary Sice at centre back probably their best player – he was one of the few men in maroon to deliver decent long ball deep into the attacking zone – while Finian Hanley, Conor Costello and Gary O’Donnell also kept things tight.
For more, read this week’s Connacht Tribune.
Date Published: 23-Jan-2013
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